Ganadores premios IFMCA 2024

Hoy jueves 27 de febrero se han anunciado los ganadores de la 21ª edición (2024) de los premios que otorga la IFMCA (International Film Music Critics Asociation – Asociación Internacional de Críticos de Música de Cine).

Ganadores premios IFMCA 2024

 

La relación completa de nominados/ganadores es la siguiente:

SCORE OF THE YEAR

  • THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
  • AVATAR: THE LAST AIRBENDER, music by Takeshi Furukawa
  • HERE, music by Alan Silvestri
  • KENSUKE’S KINGDOM, music by Stuart Hancock
  • THE WILD ROBOT, music by Kris Bowers

 

COMPOSER OF THE YEAR

  • BEAR MCCREARY
  • VOLKER BERTELMANN
  • KRIS BOWERS
  • ALEXANDRE DESPLAT
  • JOHN POWELL

 

BREAKTHROUGH COMPOSER OF THE YEAR

  • DANIEL BLUMBERG
  • STEPHEN GALLAGHER
  • MICK GIACCHINO
  • LAURI PORRA
  • WILBERT ROGET II

 

COMPOSITION OF THE YEAR

  • “End Credits” from HERE, music by Alan Silvestri
  • “Battle for Eregion” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
  • “Horizon Montage Begins/Closing Survey” from HORIZON: AN AMERICAN SAGA – CHAPTER 1, music by John Debney
  • “I Could Use A Boost” from THE WILD ROBOT, music by Kris Bowers
  • “The Sun Yet Shines” from THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary

 

BEST ORIGINAL SCORE FOR A DRAMA FILM

  • HERE, music by Alan Silvestri
  • THE BRUTALIST, music by Daniel Blumberg
  • CONCLAVE, music by Volker Bertelmann
  • HORIZON: AN AMERICAN SAGA – CHAPTER 1, music by John Debney
  • YOUNG WOMAN AND THE SEA, music by Amelia Warner

 

BEST ORIGINAL SCORE FOR A COMEDY FILM

  • FLY ME TO THE MOON, music by Daniel Pemberton
  • THE 4:30 MOVIE, music by Bear McCreary
  • BEETLEJUICE BEETLEJUICE, music by Danny Elfman
  • IF, music by Michael Giacchino
  • PADDINGTON IN PERU, music by Dario Marianelli

 

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

  • THE MINISTRY OF UNGENTLEMANLY WARFARE, music by Chris Benstead
  • ARGYLLE, music by Lorne Balfe
  • GLADIATOR II, music by Harry Gregson-Williams
  • THE KILLER, music by Marco Beltrami
  • TWISTERS, music by Benjamin Wallfisch

 

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

  • WICKED, music by John Powell and Stephen Schwartz
  • DUNE: PART TWO, music by Hans Zimmer
  • GHOSTBUSTERS: FROZEN EMPIRE, music by Dario Marianelli
  • KINGDOM OF THE PLANET OF THE APES, music by John Paesano
  • MEGALOPOLIS, music by Osvaldo Golijov

 

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

  • NOSFERATU, music by Robin Carolan
  • ABIGAIL, music by Brian Tyler
  • ALIEN: ROMULUS, music by Benjamin Wallfisch
  • THE FIRST OMEN, music by Mark Korven
  • THE WATCHERS, music by Abel Korzeniowski

 

BEST ORIGINAL SCORE FOR AN ANIMATED FILM

  • THE WILD ROBOT, music by Kris Bowers
  • DRAGONKEEPER, music by Arturo Cardelús
  • KENSUKE’S KINGDOM, music by Stuart Hancock
  • THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM, music by Stephen Gallagher
  • THAT CHRISTMAS, music by John Powell

 

BEST ORIGINAL SCORE FOR A DOCUMENTARY

  • WHY DINOSAURS?, music by Raphaël Dargent
  • CHURCHILL AT WAR, music by Jeff Danna
  • ENDURANCE, music by Daniel Pemberton
  • OUR LIVING WORLD, music by Pinar Toprak
  • SUPER/MAN: THE CHRISTOPHER REEVE STORY, music by Ilan Eshkeri

 

BEST ORIGINAL SCORE FOR TELEVISION

  • THE LORD OF THE RINGS: THE RINGS OF POWER, music by Bear McCreary
  • AVATAR: THE LAST AIRBENDER, music by Takeshi Furukawa
  • COBRA KAI, music by Leo Birenberg and Zach Robinson
  • THE PENGUIN, music by Mick Giacchino
  • WE WERE THE LUCKY ONES, music by Rachel Portman and Jon Ehrlich

 

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

  • INDIANA JONES AND THE GREAT CIRCLE, music by Gordy Haab
  • FINAL FANTASY VII REBIRTH, music by Masashi Hamauzu and Mitsuto Suzuki
  • NORDIC ASHES: SURVIVORS OF RAGNAROK, music by Rubén Melià
  • QUIDDITCH CHAMPIONS, music by Cris Velasco
  • STAR WARS: OUTLAWS, music by Wilbert Roget II, Jon Everist, and Kazuma Jinnouchi

 

BEST ORIGINAL SCORE FOR A SHORT FILM

  • GO FOR GRANDMA, music by Fabrizio Mancinelli
  • AN ALMOST CHRISTMAS STORY, music by Daniel Hart
  • CARMEN Y LA CUCHARA DE PALO [CARMEN AND THE WOODEN SPOON], music by Iván Palomares
  • THE ICE CREAM MAN, music by Nami Melumad
  • THE ONLY GIRL IN THE ORCHESTRA, music by Laura Karpman

 

BEST ARCHIVAL RELEASE

  • ELLIOT GOLDENTHAL: MUSIC FOR FILM, music by Elliot Goldenthal; the Brussels Philharmonic Orchestra cond. Dirk Brossé; album produced by Thomas Van Parys for Film Fest Gent; liner notes by Elliot Goldenthal and Thomas Van Parys; album art direction by Stuart Ford (WSA/Silva)
  • BACKDRAFT, music by Hans Zimmer; album produced by Stéphane Humez; liner notes by Kaya Savas; album art direction by Kay Marshall (Intrada)
  • DINOSAUR, music by James Newton Howard; album produced by Douglass Fake, James Newton Howard, and Jim Weidman; liner notes by Tim Grieving; album art direction by Kay Marshall, John Blas, and Karen De Jong (Intrada)
  • JERRY GOLDSMITH AT THE GENERAL ELECTRIC THEATER, music by Jerry Goldsmith; the City of Prague Philharmonic Orchestra cond. Leigh Phillips; album produced by Leigh Phillips; liner notes by Yavar Moradi; album art direction by Kay Marshall, Stéphane Coëdel, and Joe Sikoryak (Intrada)
  • MOONRAKER, music by John Barry; album produced by Neil S. Bulk; liner notes by Jon Burlingame; album art direction by Dan Goldwasser (La-La Land)
  • THE OLD MAN AND THE SEA, music by Dimitri Tiomkin; the Royal Scottish National Orchestra cond. Richard Kaufman; album produced by Patrick Russ; liner notes by Frank K. DeWald, Warren M. Sherk, and Patrick Russ; album art direction by Kay Marshall and Stéphane Coëdel (Intrada)
  • OUT OF AFRICA, music by John Barry; album produced by Douglass Fake; liner notes by Jon Burlingame; album art direction by Kay Marshall (Intrada)
  • THE PINK PANTHER, music by Henry Mancini; album produced by Chris Malone; liner notes by Jeff Bond and Chris Malone; album art direction by Nacho B. Govantes (Quartet)
  • THE SOUND OF LALO SCHIFRIN, music by Lalo Schifrin; album produced by Stéphane Lerouge; liner notes by Stéphane Lerouge; album art direction by Gilles Guerlet and Jérôme Witz (Universal Music France-Écoutez Le Cinéma!)
  • THE SUGARLAND EXPRESS, music by John Williams; album produced by John Williams and Mike Matessino; liner notes by Mike Matessino; album art direction by Jim Titus (La-La Land)

 

FILM MUSIC RECORD LABEL OF THE YEAR

  • LA-LA LAND RECORDS, MV Gerhard, Matt Verboys
  • INTRADA RECORDS, Douglass Fake, Roger Feigelson
  • MOVIESCORE MEDIA, Mikael Carlsson
  • MUSIC BOX RECORDS, Cyril Durand-Roger, Laurent Lafarge
  • QUARTET RECORDS, Jose M. Benitez

 

ROBERTO ASCHIERI SPECIAL AWARD FOR CONTRIBUTION TO FILM MUSIC

  • JOHN MORGAN, WILLIAM STROMBERG, and ANNA BONN

 

KYLE RENICK SPECIAL AWARD

  • MUSIC BY JOHN WILLIAMS, directed by Laurent Bouzereau

 

Se puede ver la ceremonia de premios aquí:

 

Más información:

https://filmmusiccritics.org/2025/02/ifmca-award-winners-2024/