Festival Musimagem Brasil 2024 – Complete program

THURSDAY, NOVEMBER 28, 2024

9:30 AM – 11:00 AM – Minicourse: Music for Animation – Antonio Melillo Auditorium – UN

With Zeh Netto (RJ): musician, composer, music producer and guitarist, specialist in Logic PRO X, Executive and founder of Planet Zen.

The workshop “MUSIC FOR ANIMATION” will be given by Zeh Neto, who studied arranging at UNIRIO and “Composing for film and TV” at Berklee.

We’ll have a quick history and then move on to analyze how the composition work was done for one of Zeh Netto’s works: the short film MENINO GEPETO, which is about to be released. We’ll take excerpts from the animation, without music, and discuss what could have been done and what was actually done, and why. The idea is to use these examples to show how music provides the right support for the work.

 

11:00 AM – 12:00 PM – Round table – ABRAMUS: Copyright in Audiovisual – Antonio Melillo Auditorium – UN

With the participation of Lorrayne Patrício (Ecad audiovisual coordinator), Mario Sergio Campos (ECAD executive manager), Adriana Vargas (ECAD business intelligence and digital services coordinator) and Paulo Juk (ABRAMUS/PR director).

Mediation by Diogo Rocha (Director of Audiovisual Music at ABRAMUS.

How does the collection and distribution of audiovisual royalties work? Copyright is at the center of debates on contracts with streaming platforms, among other issues.

 

1:30 PM – 3:10 PM – Round table: Meeting of soundtrack directors and composers – Antonio Melillo Auditorium – UN

The creative process of composing on demand, based on a script; how and how much the script directs the music; the director-composer relationship: partnership, conflicts and negotiation of results.

With the participation of Victor Ribeiro (Director and Screenwriter with award-winning films in Brazil and abroad – SP), Ana Cavazzana (Italian/Brazilian director and screenwriter of 9 award-winning short films, founding partner of Cavazz Filmes), Jean Gabriel Coutinho (guitarist, composer, arranger and music producer – PR), Prof. Dr. Luis Fernando Severo (director and screenwriter of award-winning films in Brazil and abroad, professor at UNESPAR – PR). Mediation: Prof. Dr. Fabio Poletto (editor of Vórtex Magazine, coordinator of the Bachelor’s Degree in Composition and Conducting at UNESPAR – PR).

 

3:30 PM – 5:00 PM – Online round table: International composers, with Mychael Danna and Marc Shaiman – YouTube and UNESPAR big screen

https://www.mychaeldanna.com/ – https://www.marcshaiman.com

Mychael Danna (film composer, Oscar and Golden Globe winner for Ang Lee’s “The Life of PI”. His awards include the Emmy for Best Composition for the miniseries World Without End (2013), the Frederick Loewe Award for Film Composition (2013), the World Soundtrack Awards for Film Composer of the Year and Best Soundtrack of the Year (both 2013) and the Hollywood Film Award for Composer of the Year (2016). – Canada), Marc Shaiman (composer, arranger, musical director, with seven Oscar nominations, winner of the Tony Award, Grammy Award, and Emmy Award. He was honored with the “Outstanding Achievement in Music-In-Film” award at The Hollywood Film Festival, and ASCAP’s Henry Mancini Award in recognition of his outstanding achievements and contributions to film and television music. He is the first winner of the Film & TV Music Award for Best Soundtrack for a Comedy Feature Film – USA.

Mediation: João Batista Melo (composer, writer – MG), Alexey Kurkdjian Ogalla (conductor, composer and music producer – SP) and Marcos Souza (pianist, music producer, composer, president of Musimagem Brasil – RJ);

With simultaneous translation on Youtube and Zoom.

Please bring a cell phone for those watching on the big screen at UNESPAR.

 

5:00 PM – 6:00 PM – ORB Music round table: Music, technology and cue sheets – Antonio Melillo Auditorium – UN

With the participation of Daniel Campello (CEO and founder of ORB Music – the leading copyright management company in the Brazilian market – RJ) and Bruno Batista (CTO of ORB Music and responsible for the creation of the ISRC App – RJ) and Beto Villares (composer, music producer, with two nominations for best original soundtrack at the Brazilian Cinema Grand Prix and three nominations for best original soundtrack at the Grande Otelo Brazilian Cinema Grand Prix – SP);

In this panel, we will explore the intersection between music and technology through tools for automating cue sheets. We will discuss how technology can influence the dynamics of music production and music licensing for audiovisuals, and the projections for the future of these operations. We’ll get an executive and operational perspective from the ORB Music team, the leading copyright management company in the Brazilian market.

 

6:00 PM – 6:45 PM – Luis Ivars (Spain) – Antonio Melillo Auditorium – UN

A chat with Luis Ivars, a Spanish composer from Alicante, who is attending the festival in person at UNESPAR.

Luis has composed hundreds of soundtracks for films, documentaries, short films, TV shows, museum exhibitions, video dance and theater, such as Tabarka, El Capitan Trovão y el Santo Graal (https://www.youtube.com/watch?v=AhX_O818Oek), Tiempos de Azúcar, La Dama Boba or 22 Ángeles, among other projects, which earned him three nominations for the Goya Award in 2015, 2016 and 2017.

A determined defender of the social importance of creators, he is Honorary President of Musimagen, the Spanish Association of Audiovisual Composers, the inspiration behind Musimagem Brasil, and has held the presidency of FFACE (Federation of Film and Audiovisual Composers of Europe) as one of its creators. He is a member of the board of directors of ECSA (European Composers & Songwriters Alliance) and the board of directors of the Academy of Composers and Composers Cinematographic Arts and Sciences. Since 2019 he has chaired the Audiovisual Alliance, the Grand State Federation of Audiovisual Professionals and Technicians.

www.luisivars.com

 

7:30 PM – 9:00 PM – Music on Stage Concert: Musimagem Brasil composers and the FAP Philharmonic present a special concert! – Capela Santa M Cultural Center

Composers from Musimagem and the FAP Philharmonic invite you to a unique experience at the 10th Musimagem Festival, where we will present a special concert with stage music, soundtracks from Brazilian and international films.

Get ready to dive into emotions and adventures to the sound of iconic movie themes. Come and experience the magic of movies and TV through music on an unforgettable evening!

 

Sales link – R$ 20.00 (full price) and 10.00 (half price)

https://comprenozet.com.br/eventos/os-musimagicos-e-orquestra-filarmonica-fap-10-festival-musimagem/

 

Part 1: music for film and TV performed by the composers themselves.

1 – Marcos Souza: Evandro Teixeira – Instantâneos da Realidade, from the documentary film Evandro Teixeira instantâneos da realidade (2003), by Paulo Fontenelle.

Marcos Souza – piano; Alexey Kurkdjian Ogalla – violin

2 – Felipe Radicetti: Habanera de Idalina, from the film Castro Alves (1999), by Silvio Tendler

Violin: Alexey Kurkdjian Ogalla; Piano: Felipe Radicetti

3 – Zeh Netto: Agreste, from the documentary film Apocalipse no Cerrado (2021), by Marcelo de Paula

Zeh Netto – guitar

4 – Beto Villares: Pescador Sereia, from the film Rio do Desejo (2023), by Sérgio Machado.

Guitar: Beto Villares; Violin: Alexey Kurkdjian

5- Alberto Rosenblit: Ciranda, from the TV Globo soap opera Cabocla (2004)

Guitar: Zeh Netto; Piano: Alberto Rosenblit

6- Natália Machiavelli: Música-Mensagem (2024)

Piano and voice: Natália Machiavelli

7- Luis Ivars: Tiempos de Azúcar

Piano: Luis Ivars

 

Part 2: FAP Philharmonic Orchestra performs music from the stage and movies

8- Henry Purcell: Rondeau, from the incidental music for the play Abdelazer, or The Revenge of the Moor (1695)

9- Chiquinha Gonzaga: O Gaúcho ( the Gaucho ), from the operetta Zizinha Maxixe (1895)

10- Dmitri Shostakovich: Waltz No. 2, from Suite for Variety Orchestra No. 1 (1955) [originally written for the 1955 film O primeiro escalão; used in Stanley Kubrick’s soundtrack De olhos bem fechados]

11- Francisco Mário: Ressurreição, from the movie 3 Irmãos de Sangue (2005) and Entre Vales (2012)

12- Marcos Souza: Brilhante/Garimpando, from the documentary film Brilhante (2006)

13- Ricardo Petracca: Barqueiro, from the documentary film Muirapiranga (2019)

14- André Ricardo Souza: Decifra-me ou morres and No ventre seco das mulheres, songs from the musical Édipo: uma ópera-rap (2024)

15- Ennio Morricone: Love Theme, from the movie Cinema Paradiso (1988)

FRIDAY, NOVEMBER 29, 2024

9:30 AM – 11:00 AM – Course: Music for TV – Antonio Melillo Auditorium – UN

This lecture covers the creation of tracks for TV. Specificities of the vehicle and aspects of music production. How music fits into dramaturgical production. Notions of the most appropriate instrumentation to suit the emotions to be conveyed. Musical references for creating original music.

With Alberto Rosenblit (RJ): Alberto Rosenblit is a pianist, composer, arranger and music producer. After a few years working and playing with important MPB names (Nara Leão, Francis Hime, Zé Renato, Simone, Sá & Guarabira, etc.), in 1985 he began to specialize in music for images. On his CD Trilhas Brasileiras (Biscoito Fino/2005) he wrote a short text saying that music suggests images to him and vice versa. Alberto Rosenblit has worked mainly in television, composing and producing original music for soap operas, miniseries and sitcoms.

 

11:00 AM – 12:30 PM – Online debate with composer Jocelyn Pook (UK), Ella van der Woude (NL), Diego Navarro (ES) – YouTube and UNESPAR big screen

English composer and violist Jocelyn Pook has an established and versatile career, including works for the theater, cinema, opera and concert hall. Internationally recognized, she has received numerous nominations and awards, including a BAFTA, Golden Globe, Olivier and two British Composer Awards. His most famous film work was the original score for Stanley Kubrick’s “Eyes Wide Shut”, which earned him a Chicago Film Award and a Golden Globe nomination. Pook has worked with some of the world’s leading directors, musicians, artists and arts institutions, including Martin Scorsese, the Royal Opera House, BBC Proms, Andrew Motion, Peter Gabriel, Massive Attack and Laurie Anderson.

Swiss-Dutch composer Ella van der Woude is the author of soundtracks for award-winning films such as Armand by Halfdan Ullman-Tøndel (winner of the Caméra d’Or Cannes 2024), Take Me Somewhere Nice by Ena Sendijarević and Instinct by Halina Reijn. In 2022 she became the first woman to receive the Best Music Award at the Dutch Film Festival for her score for Moloch. She also wrote the music for Above The Dust by Wang Xiaoshuai (Berlinale 2024) and Alpha by Jan-Willem van Ewijk (Venice 2024). Despite her classical background, she has also been a founder and member of several pop bands.

Diego Navarro is one of Spain’s most renowned soundtrack composers. His music for more than two dozen films such as “Pasaje al amanecer” and “El Fotógrafo de Mauthausen” has earned him nominations for the prestigious Gaudi and World Soundtrack Awards. He is the creator and musical director of Fimucité, a soundtrack festival based in Tenerife and one of the most important in Europe.

Mediators Marcos Souza (RJ) and Zeh Netto (RJ)

 

2:00 PM – 3:30 PM – Online Debate: Common challenges faced by audiovisual composers in Europe and Latin America – YouTube and UNESPAR screen

Fairness and transparency in music contractual practices. The impact of artificial intelligence on composers.

With Luis Ivars (Spain – former president and one of the creators of the Federation of Film and Audiovisual Composers in Europe); Marcos Alves de Souza (BR – Secretary for Copyright and Intellectual Property Rights at the Ministry of Culture); José Riucarte (CO – founding member of the Asociación Colombiana de Compositores de Música para Cine (MUCINE); Marc du Moulin (FR – Secretary General of the European Composer and Songwriter Alliance (ECSA); Marcos Souza (BR – president of Musimagem Brasil); Felipe Radicetti (BR – composer Musimagem Brasil).

 

4:00 PM – 5:00 PM – Bureau of the Association of Interpreters and Musicians (ASSIM): Narrative in Audiovisual: – Antonio Melillo Auditorium – UN

Narrative in music inserted in audiovisual works and how it is applied in a technical context. With Marcel Godoy (SP – Executive Director of ASSIM) and Marcela Godoy (SP – Writer, comics scriptwriter and Director of Operations at ASSIM).

 

5:00 PM – 6:00 PM – Debate: Sound in audiovisual – Antonio Melillo Auditorium – UN

Debora Opolski (PR), Ricardo Gomes (PR) and Demian Garcia (PR)

Natalia Machiavelli (SP) – Mediator

How does the conventional separation between the elements of sound design and music occur in audiovisual soundtracks? How are the boundaries between music and sound design becoming more porous, and even dissolved, in current productions? With this, the panel proposes new ways of thinking historically, aesthetically and practically about this subject, overcoming traditional barriers in creative processes.

With Dr. Débora Opolski (author of books on sound editing and design, sound editor for the films Tropa de Elite 1 and 2, by José Padilha and Ensaio sobre a Cegueira, by Fernando Meirelles); Ms. Demian Garcia (works in sound creation, music composition and sound editing for cinema and theater in Brazil and France. PhD student in Cinematographic Studies at UPJV-Amiens (FR) and professor of sound and music in cinema at UNESPAR’s Cinema and Audiovisual Course); Ms. Ricardo Gomes (Master in Audio Production from the University of Westminster/London, music producer and composer of original music for films).

 

6:00 PM – 6:30 PM – Lecture: Music in Bertolt Brecht’s epic theater – Antonio Melillo Auditorium – UN

With Felipe Radicetti – www.feliperadicetti.com

In this meeting, composer Felipe Radicetti explains the different uses of music in the theater developed by the German playwright, through its foundations, the directors who influenced the language of epic theater and, above all, the principles that emerged from Brecht’s research into the relationship with the audience. Radicetti created the original music and directed the music for Cia. Ensaio Aberto’s productions from 1995 to the present day, including A Mãe (1997), Mãe Coragem (public reading, 1999) and A Exceção e a Regra (2023).

 

6:30 PM – 7:00 PM – Lecture: Music as an element of humanization, alienation and sign of alterity in cinema – Antonio Melillo Auditorium – UN

With Prof. Dr. Juliano de Oliveira – UNESPAR

Through the analysis of examples taken from films released throughout the 20th and 21st centuries, it is demonstrated how music acts, through codes consolidated over decades, as a fundamental element in the construction and subversion of stereotypes in the context of fictional narrative cinema. With Prof. Dr. Juliano de Oliveira (author of the book A Significação na Música de Cinema and professor of Composition and Conducting at UNESPAR).